museumuesum

THE INTERSECTIONS OF ABSTRACTION, TEXT & LANGUAGE, POST-MODERNIST AESTHETICS, EXPERIMENTAL, PERFORMATIVE, MULTI-MEDIA APPROACHES TO ARTMAKING // ORIGINAL CONTENT SELECTED BY JONATHAN WEISKOPF, BOSTON, MA.

Joseph Beuys

Vitrine IPHIGENIE I, 1969
Action Tool from: IPHIGENIE, 1969 Text Montages for Iphigenie/Titus Andronicus, 1969
Vitrine IPHIGENIE II, 1958/1992, 1969/2009, 1970, 1977, 1985
Four Books from: “Projekt Westmensch“, 1958/1992 Iphigenie/Titus Andronicus, 1969/2009 From Interfunktionen 4, 1970 Honey Vessel, 1977 Iphigena/Titus Andronicus, 1985
Vitrine IPHIGENIE III, 1967, 1968, 1974, 1984-86
Score for Iphigenie «VI», 1967 Cane/Copper Stick, 1968 2 Felt Wedges, 1984 – 86 Conversation, 1974
Vitrine Iphigenie IV, 1961 - 1976
Head, 1961–1976 Cast iron (casting 1976), 33 x 16.5 x 20 cm, marked with a cross with yellow crayon and put on the child’s chair by Beuys in 1985–1986
Vitrine IPHIGENIE VIII, 1971, 1974, 1982, 1983, 1984-86, 1985
from Celtic + , 1971 Poison, 1974 ELEMENT, 1982 Two Samurai Swords, 1983 Nipple, 1984 – 86 Irish Object, 1985

(Source: museumuesum)

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